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This selection contains all of Kleist's stories, including the notorious Marquise von O and the almost novel-length Michael Kohlaas, as well as three of his plays—The Broken Jug, Amphitryon, and Prince Friedrich of Homburg—and a selection of anecdotes and letters. Much of Kleist's effect is produced by his highly idiosyncratic and expressive syntax and language, and David Constantine's translation brilliantly reproduces his strangeness in English.
- Sales Rank: #5567840 in Books
- Published on: 1999-09-01
- Original language: English
- Number of items: 1
- Dimensions: 1.49" h x 6.17" w x 9.18" l,
- Binding: Paperback
- 416 pages
From Library Journal
When he died in 1811 at the age of 34, Kleist left behind a corpus of works that, while small in quantity, were and still are among the finest German texts. This volume includes the majority of Kleist's writings in English translation. An outstanding representation of his work, this selection offers three plays, eight short stories, five anecdotes, and three essays. Kleist's dramas and stories resonate with complex circumstances and obscure consequences that the characters struggle to sail through. Things are not always what they seem to be; intriguingly, the guilty can look innocent and the innocent guilty. The play The Broken Jug, as well as the stories "Michael Kohlhaas" and "The Chilean Earthquake," depict predicaments of the falsely accused who are denied justice. Constantine, a fellow at Queen's College, Oxford, does an outstanding job of conveying the beauty of Kleist's literary style while allowing himself some liberties in translation. Highly recommended for literary and large collections.
-Ali Houissa, Cornell Univ., Ithaca, NY
Copyright 2000 Reed Business Information, Inc.
Review
If ever a literary work was a sleep of reason, bruised by menacing shapes, it is Kleist's. He was one of the first of a line of German writers whose inwardness is so intense it seems to dissolve the weak bonds of his society. . . . Even as order and paternalism struggled to assert themselves in the private and public life of the nineteenth century, Kleist was introducing scenes of mob violence, cannibalism, and less than benevolent fathers. . . . David Constantine, a distinguished poet and Germanist, and a translator of Hölderlin, has taken pains to give us a literary Kleist, 'a writer we cannot do without.' . . . This book, containing all the stories and three key plays, provides a compelling view of a misfit genius who, in one of his last notes, remarked 'the world is a strange set-up.' --Iain Bamforth, The Times Literary Supplement
About the Author
Kleist was born in Frankfurt in 1777. He broke with his family's military tradition to devote himself to literature. An admirer of Napoleon, he was imprisoned, suspected of being a spy. In his last years he was always short of mone
Most helpful customer reviews
2 of 2 people found the following review helpful.
Remarkably modern, dark and at times very funny
By J. Tarpley
I was taken by Francine Prose's discussion of Kleist in "Reading Like a Writer" and picked up this edition of Kleist's selected works. This was my first encounter with Kleist. I do not read German and cannot comment on the translation as it relates to the original. However, I found "The Broken Jug" to be laugh-out-loud funny. I was prepared to hate the play on the basis of the names alone (Adam and Eve?), but reading Adam's increasingly desperate judicial improvisations is very pleasurable.
"The Broken Jug" and "The Marquise of O." are two of the best works I've read this year. Kleist is good at sudden twists that make perfect sense of the preceding material when revealed. Some of the short pieces, such as "The Beggarwoman of Locarno," are also interesting and evocative.
0 of 0 people found the following review helpful.
Five Stars
By Deana
Loved it!
6 of 16 people found the following review helpful.
Not von Kleist, the translation!
By DabblerArts
Heinrich von Kleist was a personal discovery for me last year - I think his stories, novellas, and plays (at least "The Prince of Homburg" and "The Broken Jug" - I haven't read the others) are amazing. "The Earthquake in Chile" has got to be one of the most awful stories written.
These translations are very difficult to read, however. I bought this and ended up having to go to the library for alternate editions - I don't have those books with me right now, and I haven't bought another edition, so I can't recommend which translators to get. This is just a warning. "The Broken Jug" in particular is almost incomprehensible. I suspect the problem is that the translator has translated German idioms too literally, at the expense of naturalness, and even readability.
So, von Kleist, great, great, great! But beware, buyers of this particular translation.
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