Selasa, 25 Mei 2010

[Y746.Ebook] Ebook Download Freight Forwarding and Multi Modal Transport Contracts (Maritime and Transport Law Library), by David Glass

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Freight Forwarding and Multi Modal Transport Contracts (Maritime and Transport Law Library), by David Glass

This new title provides an up-to-date and useful source of reference and guidance for this important and developing area of commercial law and practice. The book analyses contract forms and terms used by freightforwarders, logistics suppliers, combined and multi-modal transport operators and container operators. It focuses on the main forms in use in the UK as well as the international rules that provide the bases for terms used by operators. In short, the book as a whole provides a comprehensive review of the law of freight forwarding and multi-modal transport.

  • Sales Rank: #12020741 in Books
  • Published on: 2004-12-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.00" h x 7.00" w x 1.75" l, .0 pounds
  • Binding: Hardcover
  • 498 pages

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Sabtu, 22 Mei 2010

[V393.Ebook] Get Free Ebook Foul Hooked: A Shagball and Tangles adventure, by A C Brooks

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Foul Hooked: A Shagball and Tangles adventure, by A C Brooks

Kit Jansen (aka Shagball), is on the verge of losing his Palm Beach based fishing show due to an inexplicable streak of bad luck, when far offshore he foul hooks something that changes his life, and lands him in the middle of a power struggle for control of a local marina. With a soft heart and a hard touch, he helps an elderly marina owner and her neice, out-fox a corrupt Mayor, a savvy restaurateur, and the mob. He's over his head and under the gun...just the way he likes it.

  • Sales Rank: #2498336 in Books
  • Brand: Brand: CreateSpace Independent Publishing Platform
  • Published on: 2011-01-05
  • Number of items: 1
  • Dimensions: 8.00" h x 1.06" w x 5.25" l,
  • Binding: Paperback
  • 470 pages
Features
  • Used Book in Good Condition

About the Author
The author is a graduate of University School, in Hunting Valley, Ohio, as well as Miami University, in Oxford, Ohio. He is a former fishing show host who has lived in south Florida for over twenty years and resides in Lantana with his wife Penny, and dogs, Buddy and Holly. Weed Line is his third novel. For more information go to www.acbrooks.net

Most helpful customer reviews

1 of 1 people found the following review helpful.
Great Read!!!
By Amy ONeil
Wow, what a read! The author's narration and description are so vivid and compelling I could not put the book down. I was "hooked" right from the start. This novel is an easy read that avoids the usual cliches and is filled with equal parts intrique, humor, and irony. I was particularly caught-up in the author's description of Shagball. He was such an identifiable and familiar person. I felt like I could really "put a face" to this person in a way that I usually can't with fictional characters. In fact, if I didn't know better, I would swear that I knew this person!

This book is an impressive accomplishment. Way to go A.C.! I'm looking forward to the sequal...keep 'em coming.

Your newest fan - Mike O

1 of 1 people found the following review helpful.
Fantastic Read!
By DanRo
Foul Hooked is one of those rare books that you can not help but smile after reading. A. C. Brooks has a very keen sense of humor and the story line flows along much like the Gulfstream flows to the North. I have been coming to the venue for his book for 40 yrs so the local flavor added to my enjoyment. However, you do not have to be a local to enjoy this salty tale of humor and intrigue. I am very much looking forward to his next effort!

1 of 1 people found the following review helpful.
FOUL HOOKED
By Lea
I have never read an entire book in one day until I started Foul Hooked by AC Brooks. If you like mystery, intrigue, romance, fishing & sea stories, political corruption & murder---it's all in there! It's an easy read that captivated me from the start & I wait on baited breath for the sequel. If you know the area, it's not hard to figure out where all the action takes place.

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Kamis, 20 Mei 2010

[N243.Ebook] PDF Ebook The Girl Who Flew to the Moon (Enchanted Tales of China - Orange Level), by Teri Tao

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The Girl Who Flew to the Moon (Enchanted Tales of China - Orange Level), by Teri Tao

Hou-yi, the celestial hero. and Chang'E, the beauty from Heaven, come down to Earth on a mission ordered by the Emperor of Heaven. Together they save lives in distress and rstore the Earth from chaos. After they decide to live together as two mortals on Earth, Chang'E flies to the Moon by herself and can never come back, but why?

This story belongs to the Golden Peach Chinese Culture Readers-Legends and Folktales series, which collects and retells the most treasured, timeless Chinese myths, legends, fairytales and folktales that have captured hearts and imaginations for over a thousand years. The story is retold in English for general readers interested in Asian culture and literature, catered specifically to a multicultural audience. Chinese text in the bottom of pages will be a great supplement for readers who can read Chinese or wish to learn more of the language. AS a Chinese Culture Readers series is loosely leveled for different age groups based on their abilities to understand the culture and history, this story targets mostly preteen to teenage readers. Additionally, detailed notes on Chinese culture in the back will help enhance readers' understanding of the stories as well as of their historical and social backgrounds, while full color illustrations highlight some important issues.

  • Sales Rank: #3481864 in eBooks
  • Published on: 2013-08-30
  • Released on: 2013-08-30
  • Format: Kindle eBook

Review
As a child, these tales nourished my imagination and ability to love and to hate. They introduced me to fantasy lands full of characters with courage, integrity and goodness. They made me understand that tragedies are not necessarily sad, because tender hearts usually achieve happiness and satisfaction through sorrow. In a word, they have made me what I am today, a writer, whose livelihood depends on compassion and fascination. As modern renditions and artful adaptations of these ancient tales, this series has brought out the most touching elements and core spirit, drama and beauty of the old stories, yet at the same time given them a new life and charm catered to young readers today --- --Joan Chen, award winning director/actress- Leading role, The Last Emporer

As my daughters are getting older, I have been wanting them to know the best stories from the Chinese culture, but have found it hard to locate a version with the right kind of story-telling suitable to their ages and American taste, that could draw and hold their attention, and strike a chord in their hearts. I am happy to have been presented this series. Beautiful stories beautifully retold, in a refreshing way and with age appropriate gradings, this edition is the finest I ve ever seen, definitely something I would like my children to read and grow up on. --Amy Tan, Author of The Joy Luck Club - Creative Consultant to the PBS television series Sagwa

These are the stories I've been waiting to read since childhood classic tales, vividly retold, and beautifully illustrated in ways that stimulate the imagination. The questions posed are important ones to young minds how things happen and why, as well as the consequences of personal choices. They are what I pondered as a child experiencing my own twists and turns in life. And those were the thoughts that very much influenced my becoming a writer. As these stories show, there are no simple answers, but with imagination you can go to many places and find many possibilities. These are magical stories for everyone. --Geling Yan, Award winning writer - Author of The Banquet Bug

As my daughters are getting older, I have been wanting them to know the best stories from the Chinese culture, but have found it hard to locate a version with the right kind of story-telling suitable to their ages and American taste, that could draw and hold their attention, and strike a chord in their hearts. I am happy to have been presented this series. Beautiful stories beautifully retold, in a refreshing way and with age appropriate gradings, this edition is the finest I ve ever seen, definitely something I would like my children to read and grow up on. --Joan Chen, award winning director/actress- Leading role, The Last Emporer

These are the stories I've been waiting to read since childhood classic tales, vividly retold, and beautifully illustrated in ways that stimulate the imagination. The questions posed are important ones to young minds how things happen and why, as well as the consequences of personal choices. They are what I pondered as a child experiencing my own twists and turns in life. And those were the thoughts that very much influenced my becoming a writer. As these stories show, there are no simple answers, but with imagination you can go to many places and find many possibilities. These are magical stories for everyone. -- --Amy Tan, Author of The Joy Luck Club - Creative Consultant to the PBS television series Sagwa

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0 of 0 people found the following review helpful.
Each of these outstanding and colorful fairytales for young readers is embellished with cultural notes
By Midwest Book Review
One of the primary benefits of bi-lingual stories for American children is the multi-cultural enrichment of their understanding and appreciation for the folklore and fairytales of other lands. Such is the case for the superbly produced and illustrated series 'Enchanted Tales of China' from Golden Peach Publishing. Featuring English/Chinese text, Teri Tao's second five volume series of 48-page illustrated paperbacks includes "The Girl Who Flew To The Moon". Each of these outstanding and colorful fairytales for young readers is embellished with cultural notes. Although the individual titles are available separately, both school and community libraries, as well as families, should acquire the complete sets for the benefit and entertainment of their young readers.

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Rabu, 19 Mei 2010

[V147.Ebook] Ebook Free La oruga muy hambrienta: Board Book (Spanish Edition), by Eric Carle

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La oruga muy hambrienta: Board Book (Spanish Edition), by Eric Carle

The Very Hungry Caterpillar is inarguably one of the most popular children's books of all time. Now, here is the Spanish board book version of The Very Hungry Caterpillar, filling an important niche for the youngest of Spanish-speaking children.

  • Sales Rank: #8124 in Books
  • Published on: 2002-09-16
  • Released on: 2002-09-16
  • Original language: Spanish
  • Number of items: 1
  • Dimensions: 5.00" h x .65" w x 7.15" l, .40 pounds
  • Binding: Board book
  • 16 pages

From School Library Journal

A good translation of this much-loved picture book. Children will be fascinated by the caterpillar's varied diet and miraculous transformation into a beautiful butterfly.

Copyright 1990 Cahners Business Information, Inc.

Language Notes
Text: Spanish (translation)
Original Language: English

About the Author
Eric Carle is acclaimed and beloved as the creator of brilliantly illustrated and innovatively designed picture books for very young children. His best-known work, The Very Hungry Caterpillar, has eaten its way into the hearts of literally millions of children all over the world and has been translated into more than 25 languages and sold over twelve million copies. Since the Caterpillar was published in 1969, Eric Carle has illustrated more than sixty books, many best sellers, most of which he also wrote.

Born in Syracuse, New York, in 1929, Eric Carle moved with his parents to Germany when he was six years old; he was educated there, and graduated from the prestigious art school, the Akademie der bildenden Kunste, in Stuttgart. But his dream was always to return to America, the land of his happiest childhood memories. So, in 1952, with a fine portfolio in hand and forty dollars in his pocket, he arrived in New York. Soon he found a job as a graphic designer in the promotion department of The New York Times. Later, he was the art director of an advertising agency for many years.

One day, respected educator and author, Bill Martin Jr, called to ask Carle to illustrate a story he had written. Martin's eye had been caught by a striking picture of a red lobster that Carle had created for an advertisement. Brown Bear, Brown Bear, What Do You See? was the result of their collaboration. It is still a favorite with children everywhere. This was the beginning of Eric Carle's true career. Soon Carle was writing his own stories, too. His first wholly original book was 1,2,3 to the Zoo, followed soon afterward by the celebrated classic, The Very Hungry Caterpillar.

Eric Carle's art is distinctive and instantly recognizable. His art work is created in collage technique, using hand-painted papers, which he cuts and layers to form bright and cheerful images. Many of his books have an added dimension - die-cut pages, twinkling lights as in The Very Lonely Firefly, even the lifelike sound of a cricket's song as in The Very Quiet Cricket - giving them a playful quality: a toy that can be read, a book that can be touched. Children also enjoy working in collage and many send him pictures they have made themselves, inspired by his illustrations. He receives hundreds of letters each week from his young admirers. The secret of Eric Carle's books' appeal lies in his intuitive understanding of and respect for children, who sense in him instinctively someone who shares their most cherished thoughts and emotions.

The themes of his stories are usually drawn from his extensive knowledge and love of nature - an interest shared by most small children. Besides being beautiful and entertaining, his books always offer the child the opportunity to learn something about the world around them. It is his concern for children, for their feelings and their inquisitiveness, for their creativity and their intellectual growth that, in addition to his beautiful artwork, makes the reading of his books such a stimulating and lasting experience.

Carle says: "With many of my books I attempt to bridge the gap between the home and school. To me home represents, or should represent; warmth, security, toys, holding hands, being held. School is a strange and new place for a child. Will it be a happy place? There are new people, a teacher, classmates - will they be friendly? I believe the passage from home to school is the second biggest trauma of childhood; the first is, of course, being born. Indeed, in both cases we leave a place of warmth and protection for one that is unknown. The unknown often brings fear with it. In my books I try to counteract this fear, to replace it with a positive message. I believe that children are naturally creative and eager to learn. I want to show them that learning is really both fascinating and fun."

Eric Carle has two grown-up children, a son and a daughter. With his wife Barbara, he lives in Northampton, Massachusetts. The Carles spend their summers in the nearby Berkshire hills.

copyright © 2000 by Penguin Group (USA) Books for Young Readers. All rights reserved.
Eric Carle is acclaimed and beloved as the creator of brilliantly illustrated and innovatively designed picture books for very young children. His best-known work, The Very Hungry Caterpillar, has eaten its way into the hearts of literally millions of children all over the world and has been translated into more than 25 languages and sold over twelve million copies. Since the Caterpillar was published in 1969, Eric Carle has illustrated more than sixty books, many best sellers, most of which he also wrote.

Born in Syracuse, New York, in 1929, Eric Carle moved with his parents to Germany when he was six years old; he was educated there, and graduated from the prestigious art school, the Akademie der bildenden Kunste, in Stuttgart. But his dream was always to return to America, the land of his happiest childhood memories. So, in 1952, with a fine portfolio in hand and forty dollars in his pocket, he arrived in New York. Soon he found a job as a graphic designer in the promotion department of The New York Times. Later, he was the art director of an advertising agency for many years.

One day, respected educator and author, Bill Martin Jr, called to ask Carle to illustrate a story he had written. Martin's eye had been caught by a striking picture of a red lobster that Carle had created for an advertisement. Brown Bear, Brown Bear, What Do You See? was the result of their collaboration. It is still a favorite with children everywhere. This was the beginning of Eric Carle's true career. Soon Carle was writing his own stories, too. His first wholly original book was 1,2,3 to the Zoo, followed soon afterward by the celebrated classic, The Very Hungry Caterpillar.

Eric Carle's art is distinctive and instantly recognizable. His art work is created in collage technique, using hand-painted papers, which he cuts and layers to form bright and cheerful images. Many of his books have an added dimension - die-cut pages, twinkling lights as in The Very Lonely Firefly, even the lifelike sound of a cricket's song as in The Very Quiet Cricket - giving them a playful quality: a toy that can be read, a book that can be touched. Children also enjoy working in collage and many send him pictures they have made themselves, inspired by his illustrations. He receives hundreds of letters each week from his young admirers. The secret of Eric Carle's books' appeal lies in his intuitive understanding of and respect for children, who sense in him instinctively someone who shares their most cherished thoughts and emotions.

The themes of his stories are usually drawn from his extensive knowledge and love of nature - an interest shared by most small children. Besides being beautiful and entertaining, his books always offer the child the opportunity to learn something about the world around them. It is his concern for children, for their feelings and their inquisitiveness, for their creativity and their intellectual growth that, in addition to his beautiful artwork, makes the reading of his books such a stimulating and lasting experience.

Carle says: "With many of my books I attempt to bridge the gap between the home and school. To me home represents, or should represent; warmth, security, toys, holding hands, being held. School is a strange and new place for a child. Will it be a happy place? There are new people, a teacher, classmates - will they be friendly? I believe the passage from home to school is the second biggest trauma of childhood; the first is, of course, being born. Indeed, in both cases we leave a place of warmth and protection for one that is unknown. The unknown often brings fear with it. In my books I try to counteract this fear, to replace it with a positive message. I believe that children are naturally creative and eager to learn. I want to show them that learning is really both fascinating and fun."

copyright © 2000 by Penguin Group (USA) Books for Young Readers. All rights reserved.

Most helpful customer reviews

0 of 0 people found the following review helpful.
Fun, Educational & Colorful!
By Mallory
This book is quickly becoming a new favorite in our home! It is just as great in Spanish as it is in English. The colors and illustrations are beautiful and very stimulating to my daughter. Our favorite feature is the part of the book where the Caterpillar has eaten through all on the foods and there are small holes (there on purpose). It's so fun to list off all the foods and I can tell that my child is learning while having fun reading this book. This was a great purchase that we will have in our household for a long time!

0 of 0 people found the following review helpful.
Smaller than expected but good!
By Julian Ortega
My mother needed it for her class, and she thought it was a regular sized book (the size of a notebook) but it was a rectangle about half the size of a notebook. She was able to give her class to the children anyway, so it worked great.

0 of 0 people found the following review helpful.
Some of the translation a bit off, Its a ...
By Amazon Customer
Some of the translation a bit off, Its a small book but very colorful and attractive to my daughter.

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Senin, 17 Mei 2010

[V864.Ebook] PDF Download Software Engineering Design: Theory and Practice (Applied Software Engineering Series), by Carlos Otero

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Software Engineering Design: Theory and Practice (Applied Software Engineering Series), by Carlos Otero

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Software Engineering Design: Theory and Practice (Applied Software Engineering Series), by Carlos Otero

Taking a learn-by-doing approach, Software Engineering Design: Theory and Practice uses examples, review questions, chapter exercises, and case study assignments to provide students and practitioners with the understanding required to design complex software systems. Explaining the concepts that are immediately relevant to software designers, it begins with a review of software design fundamentals.

The text presents a formal top-down design process that consists of several design activities with varied levels of detail, including the macro-, micro-, and construction-design levels. As part of the top-down approach, it provides in-depth coverage of applied architectural, creational, structural, and behavioral design patterns. For each design issue covered, it includes a step-by-step breakdown of the execution of the design solution, along with an evaluation, discussion, and justification for using that particular solution.



The book outlines industry-proven software design practices for leading large-scale software design efforts, developing reusable and high-quality software systems, and producing technical and customer-driven design documentation. It also:



  • Offers one-stop guidance for mastering the Software Design & Construction sections of the official Software Engineering Body of Knowledge (SWEBOK®)

  • Details a collection of standards and guidelines for structuring high-quality code

  • Describes techniques for analyzing and evaluating the quality of software designs

Collectively, the text supplies comprehensive coverage of the software design concepts students will need to succeed as professional design leaders. The section on engineering leadership for software designers covers the necessary ethical and leadership skills required of software developers in the public domain. The section on creating software design documents (SDD) familiarizes students with the software design notations, structural descriptions, and behavioral models required for SDDs.

Course notes, exercises with answers, online resources, and an instructor’s manual are available upon qualified course adoption. Instructors can contact the author about these resources via the author's website: http://softwareengineeringdesign.com/

  • Sales Rank: #653212 in eBooks
  • Published on: 2016-04-19
  • Released on: 2016-04-19
  • Format: Kindle eBook

Review

… intended for use as a textbook for an advanced course in software design. Each chapter ends with review questions and references. … provides an overview of the software development process, something that would not be out of line in a course on software engineering including such topics as software process, software management, balancing conflicting values of stakeholders, testing, quality, and ethics. The author has principally focused on software design though, extracting the design phase from the surrounding software development lifecycle. … Software design strategies are addressed, including structured, functional, and object oriented design. There’s also a chapter on UML (Unified Modeling Language). UML is a set of design paradigms (and tools) used for design modeling, and examples are provided throughout. … The author also provides coded examples of UML diagrams in C++ and Java. … To sum up, the intent of this book is educational on the topic of software design with emphasis on UML, software patterns and object oriented programming. There is also enough software engineering material that makes this text also appropriate for use in a software engineering, object oriented or software patterns lab course.
―Robert Schaefer, Research Engineer, MIT Haystack Observatory, writing in the New York Journal of Books

About the Author

Carlos E. Otero, PhD, is assistant professor in the College of Technology and Innovation at the University of South Florida (USF). Prior to joining USF, Dr. Otero worked as assistant professor of software engineering in the Department of Mathematics and Computer Science at the University of Virginia, College at Wise, where he created the software engineering design course for Virginia’s first and (at the time of writing) only EAC/ABET-accredited BS in software engineering.

Prior to his academic career, Dr. Otero spent 11 years in the private industry, where he worked as design and development engineer in a wide variety of military computer systems, including satellite communications systems, command and control systems, wireless security systems, and unmanned aerial vehicle systems. Currently, he continues to consult with industry in the areas of requirements engineering, software systems analysis, design and development, quality assurance, and systems engineering.

Dr. Otero received his BS in computer science, MS in software engineering, MS in systems engineering, and PhD in computer engineering from Florida Institute of Technology in Melbourne. He has published over 35 technical publications in scientific peer-reviewed journals and conferences proceedings. He is a senior member of the Institute of Electrical and Electronics Engineers (IEEE), an active professional member of the Association for Computing Machinery (ACM), and a member of several journal editorial boards in technology and engineering.

Most helpful customer reviews

2 of 2 people found the following review helpful.
Badly communicated content, obfuscating writing style
By James Edward
Let me preface my complaints about this book by saying that I'm a university senior who on average reads between 10,000 to 40,000 words of fairly dense, dry and abstract computer science material per day. This estimate is independent of the news, blogs, and internet content I also read every day. I devour text and am quite good at processing, internalizing, and retaining the information contained in it.

The writing style of this book badly obfuscates the topic unless you already know the material. Many of the author's term definitions use the term as part of the definition. In other cases, explanations of concepts are hand-waved away with out-of-context jargon. For instance:

"Whereas generalization allows classes to inherit a parent's class interface and behavior, realization allows classes to inherit the interface."

This is a sentence in which I understand the meaning of each individual word quite well. However it's strung together in a way that doesn't explain any functional distinction between the term "generalization" and "realization". Unfortunately, no further explanation follows this sentence. It's very frustrating to have to read this book with a Google tab open, searching for the actual definitions or examples of these non-intuitive concepts. I've read more IBM InfoCenter Software Architecture online documentation than I ever thought I would as a result of trying to work through the Otero book. The review questions are not fully answerable without significant outside research. I don't believe this was the author's intention or a clever ploy to encourage the reader to seek supplementary material; it seems more a symptom of lazy writing.

An expert veteran of software design will probably not notice these problems with the writing style, but to those trying to learn the material from the ground up in absence of help or perhaps an explanation by the author himself will find that this book hides a lot of information in its attempt to explain.

It feels like lazy academic writing aimed at other academics who will casually skim its contents it in order to congratulate the author on getting a book published and used in universities.

2 of 2 people found the following review helpful.
Practical approach to software engineering
By Xavier Merino
I am currently taking a course in Software Engineering. The recommended textbook for that class lacks many of the useful portions of this book. I wish this book was required for that class. It goes in depth into UML diagrams and the importance of design patterns, among other topics, that are not covered by my course's textbook. It takes a very practical approach to design instead of just mentioning concepts and theory. The concepts explained in the book are consistent with the IEEE definitions and, most of the time, snippets from those papers appear in the book.

0 of 0 people found the following review helpful.
Effective Software Design Book
By Freeman
I am currently using this book in my software design course. As industry practitioner, I can tell you that the material covered in this book is very practical and useful. It is evident that the author has spent time in industry. The concept of patterns is usually presented in a dry manner. This books uses examples that helps as much as possible to understand the material. For example, the presentation of the Composite patterns as a message builder in chapter 7 is something I've used after I learned from the book. The book is not without flaws... it could expand more on all of the topics, however, it does compiles together numerous important topics in architecture, detailed design, management, HCI, etc. that each could be a book by itself. Overall, when compared with other irrelevant CS books, this ones is by far more usable in practice. I'll give it 4 stars because it could be improved.

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Selasa, 11 Mei 2010

[I634.Ebook] PDF Download The Wrath and the Dawn, by Renée Ahdieh

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The Wrath and the Dawn, by Renée Ahdieh

#1 New York Times Bestseller

A sumptuous and epically told love story inspired by A Thousand and One Nights

Every dawn brings horror to a different family in a land ruled by a killer. Khalid, the eighteen-year-old Caliph of Khorasan, takes a new bride each night only to have her executed at sunrise. So it is a suspicious surprise when sixteen-year-old Shahrzad volunteers to marry Khalid. But she does so with a clever plan to stay alive and exact revenge on the Caliph for the murder of her best friend and countless other girls. Shazi’s wit and will, indeed, get her through to the dawn that no others have seen, but with a catch . . . she’s falling in love with the very boy who killed her dearest friend.

She discovers that the murderous boy-king is not all that he seems and neither are the deaths of so many girls. Shazi is determined to uncover the reason for the murders and to break the cycle once and for all.

  • Sales Rank: #6974 in Books
  • Published on: 2015-05-12
  • Released on: 2015-05-12
  • Format: Deckle Edge
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.60" h x 1.12" w x 5.85" l, .0 pounds
  • Binding: Hardcover
  • 416 pages

From School Library Journal
Gr 9 Up—A reimagined tale based on One Thousand and One Nights and The Arabian Nights. In this version, the brave Shahrzad volunteers to marry the Caliph of Khorasan after her best friend is chosen as one of his virgin brides and is summarily murdered the next morning. She uses her storytelling skills, along with well-placed cliff-hangers, to keep herself alive while trying to discover a way to exact revenge on the Caliph. However, the longer she stays in the palace, the more she realizes there's more going on than just a murderous prince. While her feelings for the Caliph grow and change, the first love she left behind is busy plotting to overthrow the entire palace. When the various plotlines come together in a final conflict, the story is brought to a satisfying, if unexpected, ending. A quick moving plot and sassy, believable dialogue make this a compelling and enjoyable mystery, with just the right amount of romance and magic. The main characters are well drawn and surprisingly likable, while secondary characters also develop in endearing ways. The rich, Middle Eastern cultural context adds to the author's adept worldbuilding. Intimacy is dealt with in a straightforward way, without graphic details, and a subtle message of strength is portrayed through the brave independence of the protagonist. VERDICT This well-written mystery will be a surefire hit with teens.—Sunnie Lovelace, Wallingford Public Library, CT

Review

Praise for The Wrath and the Dawn:
#1 New York Times Bestseller
#4 on the Summer 2015 Kids' Indie Next List
An Amazon Best Book of the Year for 2015 – Young Adult
A New York Public Library Best Book for Teens for 2015
A Seventeen Magazine Best Book of 2015
A YALSA 2016 Best Fiction for Young Adults Pick

"Renée Ahdieh's lush debut novel, The Wrath and the Dawn, is a suspenseful and beautiful reimagining of The Arabian Nights, with an edge.”—Shelf Awareness, starred review


“Lushly imagined and powerfully characterized, it’s a potent page-turner of intrigue and romance.”—Publishers Weekly


“This book is a fairy tale, a mystery, and … promises to become a classic tale of its own.”—VOYA


“Set against a backdrop of political intrigue and a simmering revolution, this is a carefully constructed narrative of uncertain loyalties, searing romance, and subtle magic in a harsh desert city.”—Booklist, starred review


“The rich, Middle Eastern cultural context adds to the author’s adept world building… a surefire hit with teens.”—School Library Journal, starred review


“Dreamily romantic, deliciously angst-y, addictively thrilling.”—Kirkus Reviews

“Sumptuous detail … satisfyingly steamy scenes, along with some angsty push and pull moments between the two for optimal romantic tension.”—BCCB


“Don’t be surprised if the pages melt away and you find yourself racing through warm, golden sands or drinking spiced wine in cool marble courtyards. This is an intoxicating gem of a story. You will fall in love, just as I did.”—Marie Lu, New York Times bestselling author of the Legend series and The Young Elites

“In her absorbing debut, Renée Ahdieh spins a tale as mesmerizing as that of her heroine Shahrzad, filled with lush details and brimming with tension. The Wrath and the Dawn is truly an exceptional story, beautifully written.”—Carrie Ryan, New York Times bestselling author of The Forest of Hands and Teeth

“Ahdieh weaves a world that is lush with detail. You will want to hear, taste, and touch everything. But it's not just the world that is vividly alive. The characters are fascinating too: I loved the friendships, romance, and shifts in feeling. A beautifully written book, The Wrath and the Dawn is a story I could not put down.”—Marie Rutkoski, author of The Winner’s Trilogy

About the Author

Renée Ahdieh is a graduate of the University of North Carolina at Chapel Hill. In her spare time, she likes to dance salsa and collect shoes. She is passionate about all kinds of curry, rescue dogs, and college basketball. The first few years of her life were spent in a high-rise in South Korea; consequently, Renée enjoys having her head in the clouds.

She lives in Charlotte, North Carolina, with her husband and their tiny overlord of a dog. The Wrath and the Dawn is her debut.

Most helpful customer reviews

50 of 55 people found the following review helpful.
So. What was it that was DIFFERENT about this book?
By Rhea @ Rhea's Neon Journal
Note to the universe in general: Don’t hate me for not liking this book. Please. I beg you all.

Let’s get one thing clear: I didn’t hate this book. I didn’t love it, but I didn’t particularly hate it either. If we’re talking specifics, lets just say that from the 30% mark to the 70% mark I merely tolerated this book. It wasn’t bad or awful or unbearable or anything of the sort, not at all. It was merely…cold.

The Wrath and The Dawn begins with a nail-biting scene. It’s kind of a risky opening, considering that the reader goes into the story virtually blind and the prologue may give away a little too much right in the beginning, but the author made it work. Somehow.

And thereafter begins the story of Shahrzad, who volunteers to be Caliph Khalid’s bride—Khalid who marries and then kills each of his brides every dawn—in order to avenge the murder of her best friend Shiva at the hands of the boy-king. Little does she know that not everything is as it seems and Khalid is not everything he shows himself to be.

Shahrzad (Shazi) was a force to be reckoned with. With her wit and her sheer charm and her give-it-like-it-is attitude, she manages to leave Khalid with no choice but to keep her alive. But her every breath comes with a price…a price that the King must pay. I loved that Shazi was strong and level-headed and more interesting to me than Khalid ever could be. But in all honesty, apart from these facts, I really didn’t care about her much. She was…cold. There comes that word again. But it’s true. Shazi (like every other character in the book) lacked emotion. Sure her character was smart and self-dependant but to read her inner monologue was, in a word, agonising. It felt like all her emotions—hate, anger, confusion, infatuation, love, everything—ran on one straight line. She felt like a piece of cardboard and for a book that promises to be pretty much the book of the year, it was both amusing and disheartening to see that the MC itself lacked depth and was abundant in lousiness.

Khalid was a character I was really looking forward to, having read all the quotes of the book beforehand and anticipating a sullen, broody, swoony man. Instead, what I got was a boy who was angry at everyone and everything and then Shazi changed his mind by just being herself and wow I’ve read this in a million books before. In the aspect of Shazi managing to bring Khalid out of his “shell,” it’s the clichéd stuff, you guys. Speaking of shells, HOLY HOLY RHEA HE KILLS THE GIRLS OF THE KINGDOM EVERY MORNING AND THAT IS DIFFERENT FROM BEING A SOCIAL PARIAH GEEZUS WOMAN. I wasn’t sure exactly what it was about Shazi that drew him to her—I certainly could see that she was smart, but really, Khalid was suspicious of her right until he fell in love with her. And then of course, it didn’t matter at all that she had come to kill him.

Again, the romance was just…sad. And I’m not talking star-crossed sad. I’m talking Oh-dear-Lord-they’re-so-fake-please-God-stop-this sad. A lot of readers, however, have loved the Khalid-Shazi love story and while it wasn’t for me all all, I can understand the appeal. Because there’s this:

“Love is—a shade of what I feel.”

And this:

“I love you, a thousand times over. And I will never apologize for it.”

And my personal favourite:

“What are you doing to me, you plague of a girl?” he whispered.

“If I’m a plague, then you should keep your distance, unless you plan on being destroyed.” The weapons still in her grasp, she shoved against his chest.

“No.” His hands dropped to her waist. “Destroy me.”

OMG RHEA SO WHAT WENT WRONG?

Honestly? Everything. Like I mentioned before, I read many quotes of the book before I started to read the book, and they were so, so swoony. But when they actually became a part of the book, when I was in the moment with Khalid and Shazi and their unfortunate little love, the same swoony quotes came out sounding bland and meaningless and forced and all wrong. While I really don’t mind third-person POV, it seemed to me like even that worked against this book. It made me feel detached from not only the characters themselves, but from the narrative and the setting and just everything about the setting.

As for the writing? Renée Ahdieh’s writing reminded me a lot of Lauren Oliver’s writing, in which it was over-discriptive about irrelevant things and had analogies and similies that flew right above my head. Maybe I’m not the right type of reader for her writing (is that a thing?) but I’m still debating about the merits of reading the next book of the series. Apparently, the series is a duology and I suppose I could take my chances on reading just one more book. And if I’m being completely honest, the sneak peek into The Rose and The Dagger did entice me a bit. But as for The Wrath and The Dawn? Complete, epic fail.

Rhea @ Rhea's Neon Journal

16 of 16 people found the following review helpful.
Loved everything about the book but the book itself.
By The reader
God I wanted to love this book. Wanted to love, love, love this book. Non-western setting, retelling of a great classic, so much potential for a great main character, for an awesome setting we don't get to see often, for intense and authentic conflict and tension and I was ALL OVER IT.

The setting stuff played out for the most part. That was good. However:

Prologue: Gave away the big revel. RIGHT THERE. Explained why the Big Bad was doing Big Bad Things. And it wasn't Just Because, but because of this Other Big Bad Thing. So, right away exonerates the bad guy, you know he's not really a bad guy after all, and that he will make the perfect love interest to be Saved and Redeemed. Not, you know, the one that you believe is really bad all along and that belief will drive the conflict and heighten the emotional stakes and keep you on the edge of your seat as the main character fights both the Big Bad Things he's doing and a growing attraction to him.

THANKS A LOT FOR RUINING IT BEFORE CHAPTER ONE!

So, chapters start. I can see why, for pacing and tension, there needed to be an early and then frequent changes of POV characters, but it made it hard to get to know or connect with any one character. Though this could have been a good thing since it therefore took longer for me to start to hate them all.

Every POV character but the main character felt completely unnecessary and ridiculous. There's this big melodramatic (and I REALLY mean melodramatic) tangle of people trying to "rescue" the main character from a situation she voluntarily entered with the understanding that she had a job to do here and maybe they should have thought about that instead of just trying to go get her back which could undermine everything she was trying to accomplish and possibly put her in even more danger. But then:

She didn't seem to be in any real danger after a day or so. There was a completely unconvincing and throwaway attempt to make it seem as if she was, but other than that, all "danger" was us being told she was in danger when everything that was actually happening completely contradicted that. Thus, all the ongoing rescue attempt stuff felt even more ridiculous, especially since no one made any attempt to try to contact her or find out if she really did need rescuing.

Insta-love. "Love triangle" that was pure melodrama and served only to drive the unnecessary and annoying rescue attempt.

The characters began to feel interchangeable. Even the main characters.

No attempt was made that I could see to make the characters actions, choices, attitudes, or behavior fit the purported time and place. Not even to acknowledge that it was unusual for the time and place. Modern mores and reactions plopped into a non-modern setting.

To be honest, I quit skimming after 55% or so just so I would be able to review the book without explosive and virulent cursing. Since it's a reboot, and there will be a sequel, I know enough of how it's has to end that I can safely not care and move on with my life.

26 of 32 people found the following review helpful.
A compelling YA retelling of 1001 Nights
By schmettajames
I'm a big fan of fairytale retellings, and I'm always looking for ones that are outside the usual western European stories. The Wrath and the Dawn is a retelling of 1001 Nights (sometimes called the Arabian Nights), a collection of traditional Arabic folk tales with a framing story about a murderous king who kills his new wives at dawn every morning.

In this version, 18-year-old Khalid is the Caliph (or King) of Khorasan. Every day, he takes a new bride, who is then murdered the following morning. After her best friend is killed, a young woman named Shahrzad volunteers to become the Caliph's next bride. She want revenge, but to get it, she'll have to make it past the first night. She tells him a story and he's intrigued enough to keep her alive for another day. And thus begins an elaborate power struggle between the spouses, as Shahrzad begins to see that her husband is perhaps not the monster she assumes him to be.

I really enjoyed The Wrath and the Dawn. Shahrzad is an awesome heroine. Even with her need for revenge, she's smart enough to take the long view and she finds ways to keep Khalid fascinated enough to spare her life each day. Khalid is an interesting character. A guy who kills a wife a day isn't exactly appealing, but the author makes him compelling. It's clear from the beginning that Khalid isn't a just a psychopath and that there's something more going on, but Shahrzad will have to break down a lot of barriers to get to the truth. Their game of cat and mouse is fascinating to read about, and I had moments of dread when Shahrzad was pushing at Khalid, wondering what might make him snap. And as she's plotting her revenge, she finds herself developing unexpected feelings for her husband. It's a tense, absorbing read.

I did have some small issues with the writing. There were times when the descriptions felt a bit overdone. For example, every time characters are eating, we're given a detailed description of the food, which felt unnecessary after the first couple of times. And the reader is constantly reminded of the eye colors of the two main characters (hazel for Shahrzad and amber for Khalid). Eye color seems to be mentioned every few pages, and I found it annoying. But these are minor quibbles, and I'm sure many readers won't be bothered by them. Also, I expected there to be more stories within the main story, given the source material, but there are only a few.

I highly recommend The Wrath and the Dawn, and I'll be back for the sequel next year.

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